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Assessment Alley

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Celebrate!
by Cherry Carl
How
do we honor the very young child,
The
eager explorer, so wiggly and wild?
If
we look we can see that each one is yearning
For
that pat on the back to celebrate learning;
But
trust is a must if we're seeking success
When
we ask our students to self-assess.
We
must teach them and reach them to show that we care
As
they learn to listen, to respect and to share.
A
few fear the risks, the reluctant and shy,
But
we've got to give them the freedom to try.
And
in the end, they can cry out loud,
"I've
learned a lot and I am proud!"
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In their book, Windows Into
Literacy, Rhodes and Shanklin (1993) make a profound statement that
summarizes how I feel about assessment. "Knowledge about how to gather and
analyze useful assessment data to make decisions about instruction is crucial to
teachers in socio-psycholinguistic, child-centered classrooms. In such
classrooms, cues about instruction come largely from learners themselves rather
than from the next lesson in a textbook. Through assessment, teachers can
discover students' interests, strengths, and areas of developmental need to help
them become more literate."
Solving
the Assessment Puzzle
A Perspective from Dr. Roger Farr
I was fortunate enough to hear Dr.
Roger Farr (Indiana University) speak several years ago at a conference at SDSU.
When he was finished speaking, I wanted to cheer! This is a gentleman who helped
develop the Metropolitan Achievement Test as well as other standardized
assessment tools. He's obviously been converted to using more authentic and
performance based assessments! He has been honored for his outstanding
lifetime contributions to the teaching of reading. He's in the IRA Reading Hall
of Fame. He is a passionate proponent of more authentic and kid friendly
assessment and about his belief in the power of portfolios and
performance assessment. He is currently the program author of Steck-Vaughn's
Think Alongs™: Comprehending as You Read series and senior author of Harcourt
School Publishers Signatures and Collections. Some of my
comments below about assessment, portfolios and conferencing were generated from
my reading, from experience, and from listening to educators like Roger Farr.
Hope you find some insight here.
During his lecture, Dr.
Farr enthusiastically demonstrated how easy it is to put the pieces of the
"assessment puzzle" together.
The first piece of the assessment puzzle takes a look at
purpose. Is assessment for the benefit of the bureaucrats or is it intended to
measure student performance and inform instruction? My response to this question
is closely aligned with Roger Farr's impassioned plea to throw out the labels
and think about children for a change: What is good for children?
The second piece of the puzzle asks the following three
questions: What goes into a portfolio? Who puts it there? How is it looked at?
The answers are found in "Roger's Basic Rules for
Portfolios."
The third piece of Farr's assessment puzzle clearly outlines
the basic contents of every student portfolio.
The final piece of the puzzle falls into place with the
development of showcase portfolios. Dr. Farr described three types of showcase
portfolios, their contents, and intended audience. The first is known as a
"pass-on" portfolio, housed in a manila folder, and includes the
reading/writing logs, student/teacher notes, and three things that the student
selects to tell the next year's teacher about himself/herself as a
reader/communicator. It is important to remember that the "pass-on"
portfolios is a springboard for the next year's working portfolio.
Product assessment portfolios, also known as administrative
portfolios, are created by teachers for the purpose of gathering and showing
evidence, particularly in the cases of students whose test scores do not match
their performance. These portfolios emphasize the goals of instruction and
include a variety of sample items that are selected, dated, and annotated by the
teacher. A teacher summary statement should also be included. Dr. Farr
pointed out that this type of assessment is usually limited to 10-20% of a class
population, and that it is not necessary for every child.
The third type of showcase portfolio, the remembrance
portfolio, involves parents and emphasizes the home/school connection. It
highlights what the teacher thinks is important and provides a look at a child's
development over time. Dr. Farr suggested that children give these carefully
wrapped portfolios to their parents in a ceremony at school and then store them
right beside the family photo album.
As a proponent and early pioneer of portfolio assessment and
student-led conferences at my school, my initial response to Dr. Farr's
presentation was a feeling of confirmation and validation for my personal
philosophy about focusing on what works for children. I applaud Dr. Farr's
enthusiastic efforts to reform and restructure the way we look at a child's
progress and performance in school.
My second reaction was one of admiration for an esteemed
educator, one who has moved from the dark ages of designing multiple choice
tests to the enlightened age of advocating authentic assessment. This listener
looked beyond the theatrics to find the man who truly cares about preserving the
dignity of children and illuminating their gifts. I share and embrace his
philosophy of assessment:
"Honor them for what they can
do
and not destroy them for what they cannot."
How
and Why Do I Assess?
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Observation |
Oral |
Objective |
Essay |
Performance |
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* kid watching
* anecdotal records
* running records |
*
debate
* discussion
* skits
* interviews
* conferences
* hot seat
* author's chair |
*
true/false
* cloze |
*
writing samples |
*
exhibits
* book commercial |
Why?
* to detect
strategies
* to inform
instruction |
Why?
* to better understand
student thinking |
Why?
* quick check
* sample skills
* reliability |
Why?
* check thought processes
* richer data |
Why?
* allows
them to
use their
strengths |
When Do I
Assess? The typical question I hear
is, "How do I find the time in my busy day?" If you assess one child
at a time, you can squeeze it in during:
SSR (sustained silent reading)
SSW (sustained silent writing)
Reading or Writing Workshop
Conferences
Literature Circles
Author's Chair
Discussions
Guided Reading (running records)
Reading and Writing (in a content area) You'll
be surprised at how much you can get done. Your other students will learn to
respect your assessment time and won't interrupt.
Celebrate!
(Cues for Conferences and Portfolios) "Conferences
can become a time for celebration as students become active members in the
learning community by being empowered to become responsible, reflective
learners, able to discuss and reflect on their own abilities." Lenski,
Riss, Flickinger, 1996. Honoring Student Self-Evaluation in the Classroom
Community. Primary Voices K-6 Vol 4, 24-32. Portfolios
| What They Are |
What
They Aren't |
* Projects
* Writing
* Open-ended questions
* Related to curriculum
* Measurements of relevant, real-life skills
* Various ways for students to
demonstrate their knowledge
* Comparisons of each child's progress to his
prior work
* Encouraging creative and higher order
thinking
* Occurring regularly throughout the year
* Part of regular classroom activities |
* Multiple
choice
* Fill-in-the-blank
* Fill-in-the-bubble
* Separate from curriculum
* Memorization of isolated facts
* Limited ways for students to demonstrate
their skills
* Comparisons of each child's progress with a
national sample
* Encouraging rote memorization
* Occurring once or twice a year in contrived
circumstances |
Adapted
from Fair Test Examiner, Winter 1994-95 Roger's
Basic Rules for Portfolios
Adapted from a presentation by Dr. Roger Farr
1. Total school commitment is a
critical component.
2. Portfolios belong to students and they should be
allowed to decorate them and have regular access.
3. Portfolios should include ideas as well as finished
and unfinished work.
4. Students should build working portfolios first and
then pull from them to create showcase portfolios.
5. Teachers should hold individual student conferences
at least four times a year for 10-15 minutes. Note:
these should not be group conferences. During the
conferences, follow these rules:
Never
ask more than 3 good questions.
The
child must talk more than the teacher.
The
teacher and child must be seated at eye
level.
Portfolios should always be in the hands of the
child.
Conferences should be well-planned and
scheduled on a regular basis.
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What
"Stuff" Goes Into
Portfolios?
The
possibilities are endless. Much of what goes into a portfolio depends upon the
grade level and the curriculum. Here are some suggestions from Roger Farr (1996)
and Lenski, Riss and Flickinger (1996).
*
Benchmark assessments, such as school district outcomes
* Free choice items, such as reading and writing drafts, notes and finished work.
* Reading/writing response logs
* Student reflections
* Student organization plan: "How did you organize your stuff?"
* Student and teacher notes
* Book lists
* Photographs
* Reading contracts
* Audiotapes of student reading
* Awards
* Science experiment data
* Floppy disk with Power Point Presentation (my suggestion for the technology age!)
Note:
I've seen some
incredible portfolios in middle and high school classes. Each student is given a
list of required writing styles to include in their portfolios and this becomes
an inherent part of their table of contents.
Most
of the staff at my school prefers to have student-led conferences. Report cards
were a very small but necessary part of the conference. Here is a sample of a
summary sheet that students may use to guide their conference. There are others
that are just as good, if not better. When I was still in the classroom, I used
a different format. One of the things I had my students tell their parents was
how they could help them achieve their improvement goals. After parent
conferences, each parent wrote a letter to their child and mailed it to the
school. When all of the letters had arrived, they opened them and responded in
writing to their parents. I have to say that some of the letters were real tear
starters! The parents were often very moved to hear their children describe
their progress at school.
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Pepper Drive School
Student-Led Conference
Summary Sheet
(Date)
Name:
:
These are things I do well:
These are things I need to
improve:
This how I can improve:
My goal for the remainder of
the school year:
Please write a positive message
to me:
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Jigsaw vs.
Assessment
A Comparison
| Jigsaw Puzzle |
Assessment Puzzle |
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Start small. 1000 piece puzzles are not meant
for the novice!
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Don't try to do it all the first time. Take
tiny steps.
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Study the picture to see what the finished
puzzle should look like.
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Clearly identify student standards and your
goals for assessment. What should the student work look like? Develop
anchors and rubrics.
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Sort out the pieces, separating and connecting
the outside edges to form a framework.
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Be organized about approaching performance
assessment. When, where and how will you store student work?
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Don't allow the puzzle to disrupt your
household and your life!
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Assessment should be an ongoing, integral part
of the regular classroom program and schedule.
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Invite a friend to join you in your efforts to
put the puzzle together.
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Invite students to take ownership and to be
active participants in the assessment process with teacher, parent and
child.
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Take a good look at the finished puzzle. Is it
worth keeping and sharing with others?
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Students should go through their portfolios and
decide what to save for their next teacher and what to take home.
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What About
the Parents?!
(adapted from an article by Collinson,
1995)
It is critically important
that we inform parents about the process and that we encourage them to be
enthusiastic supporters. Here are a few suggestions from the experts:
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Explain to parents what
portfolios are before you get too far into the process. Send them a letter,
meet with them, and review your plan at back-to-school night. |
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If possible, have a team
of teachers, parents, and students from another class or from a nearby
school that uses portfolios participate in some of these meetings. |
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Show parents sample
portfolios. |
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Remind parents that
students will be keeping much of their work at school in their portfolios,
so they may not bring work home as often. |
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Share pertinent,
jargon-free research about portfolios with parents. |
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Encourage parents to ask
questions. |
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Invite parents to help
you and your students organize and manage portfolios. |
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Explain what will happen
to students' portfolios at year's end. |
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Invite parents to write
positive letters to their children about the portfolios. |
Adapted from: Collinson,
Vivienne. (1995, August).
Making the Most of Portfolios. Learning. 43-46.
An
Informed Teacher Makes Better Decisions
(My Personal Perspective)
It is
critically important for teachers to know their students prior to planning the
details of a quality program. Granted, we all have access to cum folders, report
cards and standardized test scores, and some of us are fortunate enough to see
samples and examples of authentic performance assessment and student portfolios.
If we're really lucky, the child's former teacher is a readily accessible
colleague at the same school. There are, however, more enlightening and practice
strategies that enable teachers to become better acquainted with their students
as readers.
Some teachers and/or entire school staffs have elected to
involve parents in their efforts. At the beginning of the year, parents and
children are invited to participate in "intake" conferences where they
share relevant information about the child's interests, hobbies, talents, and
reading habits outside of school This establishes a positive partnership,
develops a sense of collaboration, and recognizes the role of each participant
in the learning process. A mutual sharing of information, goals and concerns can
make the difference in planning an effective program for all students.
Another useful strategy is evaluation through observation.
Unfortunately, anything closely related to summer reading is foreign to many of
our students, unless, of course, it happens to be the instructions for a new
video game, the television/movie schedule, or the freeway signs to the beach.
Therefore, it is necessary to allow time for children to readjust to interacting
with the printed word before you make any kind of informal or formal assessment
to inform your instruction. Collect and display a wide variety of reading
materials for independent reading, browsing, and exploration. Your selection
should allow for a wide range of expected reading levels, interests and comfort
zones. You may want to include big books, little books, graded basal readers,
poetry, picture books, chapter books, library books, magazines, and newspapers.
Begin your informal assessment by asking each child to read a
selection from a book of his/her choice as well as one from a grade level
reading book. This is an excellent time to initiate anecdotal records or kid
watching notes. During and following the oral reading and subsequent discussion
and retelling, make notes to yourself on what the child chooses to read, how
well he reads, and how he reads. This screening procedure can easily
determine a student's general reading ability and overall attitude toward the
reading process. It will also inform your curriculum planning and instruction
and guide you in your selection of appropriate, leveled reading materials for
you program.
There are other benefits of being a detached observer in your
classroom. Roger Farr (1989) believes that " . . . your observations can
provide you with estimates of how the student feels about school; how the
student interacts with peers and adults; how the student approaches problem
situations; to what extent the student exhibits qualities of self-confidence,
curiosity, enthusiasm, self-directedness, leadership, resourcefulness, and
creativity." What else can you expect to learn about your students as
readers through informal observation and assessment? You should be able to
determine an approximate reading level for each student, the feasibility of
implementing paired reading strategies, and the possibilities for cooperative
groups. Can they retell a story with supporting details? Do they recognize basic
sight vocabulary? Are they using any or all of the cueing systems? Do they
self-correct? Do they read with expression? All of these questions and more can
be answered when you allow your students to inform you of their strengths, their
interests, and their needs.
Testing
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